In today’s photography, processing images on the computer has brought us the responsibility of learning new methods to control color and tone from the older ways of the cc filter, control strips, densitometer readings, etc.  Digital Imaging is here to stay, along with the evolution of the methods we use to control color management.  We can either except the new ways of imaging or find ourselves extinct like the dinosaurs of a time long ago.  My first experience with most studios is teaching or instructing them the ways of monitor calibration and, in turn, color correction.  Once a monitor is calibrated properly to your lab or largest output source, your battle with this technology is well on the way to understanding the process of digital workflow. It Starts with the Monitor...Like with all things, the process needs a beginning, for me, this process begins with the selection of a monitor.  While many of you will find yourself purchasing the least expensive or middle market priced monitor, or maybe one that looks great in the store with that high definition screen that your photography just looks awesome on, consider the following, “Your monitor is to your computer as the lens is too your camera”.  In simple terms, your camera is just a black box which excepts the final image, just like the computer, but the lens is the ...